These chilling page-turners still hold up, serving as an excellent starting point for a new generation of readers.
A collection of stories from a horror legend.
This retrospective, the first since the author’s death in 2013, is a mix of 33 well-known classics and lesser known tales offering tension and scares aplenty. Readers already familiar with Matheson’s work will immediately recognize “Duel,” which takes road rage to horrifying new levels and was immortalized in Steven Spielberg’s TV movie of the same name. And of course, “Nightmare at 20,000 Feet” served as the basis for a well-known Twilight Zone episode (of which Matheson wrote 16). Among other highlights are “Shipshape Home,” in which a couple is convinced that something strange is going on in the apartment they bought for a song, and the humorous “The Funeral,” which has a hapless funeral director take on a very odd client and his very, very strange friends. “The Prisoner” tells of a man who finds himself on death row in 1954 but claims to be a nuclear physicist from 1944, and the quick but effective “Now Die in It” is about a husband and father with a secret past that comes back to haunt him. The melancholy “The Last Day” is about, well, the last day before a flaming ball in the sky destroys the Earth, and the disturbing “Day of Reckoning” features a mother who will go to extraordinary lengths to have eternal control over her child. Where Matheson shines is in his depictions of ordinary horror, the way strange goings-on affect everyday people, and his ambiguous endings leave plenty of room for further thought. As a bonus, editor LaValle offers an enlightening introduction that discusses Matheson’s influence on his own work and even offers up the story behind what he calls his “Matheson moment,” giving more heft to the stories that follow.
These chilling page-turners still hold up, serving as an excellent starting point for a new generation of readers.Pub Date: Oct. 10, 2017
ISBN: 978-0-14-313017-8
Page Count: 432
Publisher: Penguin
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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