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AMANDA/MIRANDA

Peck has unearthed one of the hoariest of chimney-corner romantic devices—the wobbly course of love and intrigue when two young things of diverse origins and temperament look exactly alike and cross destinies; and he displays it here in late-Edwardian satin, with agile prose and a straight face. Amanda, witchy and beautiful daughter of Lady Eleanor and Sir Timothy Whitwell of the Isle of Wight and London, has been born to command. . . while her look-alike, poor Mary Cooke (renamed Miranda), has been trained, in a hard-scrabble childhood, to serve. Thus, when Amanda begins thrashing with passion for chauffeur John Thorne, she snares Miranda for her personal maid and plots to marry her to Thorne. The plan succeeds—and Amanda, three months pregnant with Thorne's child, then accepts the proposal of nice idealistic American Gregory Forrest. The wedding is to be in New York, and with Thorne and Miranda attending the bridal couple in America, Amanda can carry on her affair with Thorne with Miranda as a visual cover. (Anyone would assume the woman in his arms to be wife Miranda.) So off go the two women to America—on the Titanic, of course—and in the midst of mid-Atlantic disaster, Miranda (though bitter about her mistress' nasty doings) tries to save Amanda. . . who dies in the cabin of a shipboard lover. (Thorne will take another liner.) Miranda is just barely rescued, badly injured about the face, and—what else? She drifts into the role of Amanda, marries an initially-fooled Gregory (Thorne visits, penetrates the disguise, but takes a decent farewell), has two children with her loving husband, and (very sweetly and quietly) has the soft last laugh. Throughout, there are subplot and character diversions aplenty: a dark ghostly matter involving the Whitwell's "dead" son; the bright pan-banging gossip of servants; the mayfly nuptial dance of a straggly housemaid. And the proceedings are always accompanied by parades of viands and sumptuous living. All in all, a gorgeously romantic, implausible affair comfy as eiderdown.

Pub Date: March 11, 1980

ISBN: 0141312173

Page Count: 178

Publisher: Viking

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: March 1, 1980

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FALLING LIKE LEAVES

From the Bramble Falls series , Vol. 1

A delightfully autumnal small-town romance buoyed by strong characterization.

Ellis Mitchell has her whole life planned out.

Heading into senior year, Ellis plans to study hard and crush it at the journalism internship her media executive dad got her, paving the way for her acceptance to Columbia University. But then Ellis’ parents announce they’re separating—and that Ellis and her mom will be heading to Bramble Falls to stay with her aunt and cousin. Furious that her careful plans have been upended, Ellis struggles to settle into the small, charming Connecticut town even as everyone around her gears up for the annual Falling Leaves Festival. Ellis runs into Cooper Barnett—her long-ago summer friend from visits to Aunt Naomi and cousin Sloane—who’s grown up to be very handsome. But Cooper isn’t pleased to see Ellis; he’s cold and curt, and she has no idea why. Wilson’s YA debut is chock-full of charm. Readers will swoon at Cooper’s and Ellis’ developing feelings following their frosty reunion and sympathize with Ellis’ difficulties even as Bramble Falls grows on her. She must choose between small-town community ties and big-city ambitions—between what her dad wants for her and what she really wants. Ellis’ relationships with her mom, aunt, and cousin are lovely and aspirational. The depiction of Bramble Falls is evocative, and the book contains enough seasonal delights to satisfy even the most devoted pumpkin spice latte lover. Main characters are cued white.

A delightfully autumnal small-town romance buoyed by strong characterization. (Romance. 13-18)

Pub Date: Sept. 2, 2025

ISBN: 9781665975209

Page Count: 352

Publisher: McElderry

Review Posted Online: June 13, 2025

Kirkus Reviews Issue: July 15, 2025

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IMMORTAL DARK

A fresh, arresting entry in the vampire genre that revels in violent, bloody delights.

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An orphaned teenager tries to connect her sister’s disappearance to their family’s decadeslong relationship with vampires.

Nineteen-year-old Kidan Adane wants nothing to do with her family’s horrifying rules and traditions, which stipulate that Kidan and her sister, June, who are Black girls of Ethiopian heritage, must honor soul-binding contracts with dranaics, or vampires. After their parents died, the sisters were placed in foster care with Mama Anoet. For years, Kidan had thought they were safe from evil—until Silia, their maternal aunt, unexpectedly died, and June and Kidan became the last two living members of House Adane. When June is abducted in the middle of the night by an unknown assailant, Kidan traces the clues to Uxlay University, where worthy leaders are taught how to protect a hierarchical society in which humans and vampires harmoniously coexist. Kidan believes that June was taken by Susenyos Sagad, the formidable vampire who’s bound to her family’s bloodline. As she dives deeper into this cruel new world, the line between her hatred of Susenyos and her growing fascination with him begins to blur. Debut author Girma’s trilogy opener offers a richly detailed, sweepingly imaginative narrative that artfully explores the dark heart of desire, rage, and loss through expansive worldbuilding. Kidan’s powerful characterization is layered, and her journey toward the truth has been crafted with a cinematic eye.

A fresh, arresting entry in the vampire genre that revels in violent, bloody delights. (map, content warning) (Fantasy. 15-adult)

Pub Date: Sept. 3, 2024

ISBN: 9780316581448

Page Count: 432

Publisher: Little, Brown

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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