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HEDY'S FOLLY

THE LIFE AND BREAKTHROUGH INVENTIONS OF HEDY LAMARR, THE MOST BEAUTIFUL WOMAN IN THE WORLD

A faded blossom of a story, artfully restored to bright bloom.

The author of The Twilight of the Bomb (2010) returns with the surprising story of a pivotal invention produced during World War II by a pair of most unlikely inventors—an avant-garde composer and the world’s most glamorous movie star.

Pulitzer and NBA winner Rhodes offers the stories of his two principals in alternating segments, sometimes chapter-length. The diminutive pianist/composer George Antheil—who worked with Stravinsky, Ezra Pound, Balanchine, DeMille and other notables—was also a prolific writer and inventor. And Lamarr (born Hedwig Kiesler), smitten by the theater in her native Austria, married a wealthy man charmed by Nazis; she later fled for Hollywood, where she quickly established herself as a major star in such films as Algiers and Ziegfeld Girl. She crossed trails with Antheil, who’d also moved west. Rhodes shows us that Lamarr (a new surname name suggested by the wife of Louis B. Mayer) was extremely bright (though poorly educated), a woman who had an area in her house devoted to inventing. And Antheil—who’d once composed a piece requiring 16 synchronized player pianos—had inventing interests that dovetailed with Lamarr’s. They worked together to invent a way to radio-guide torpedoes and to use a technique called frequency-hopping to insure that the enemy could not jam their signals. Lamarr and Antheil secured a patent, but the U.S. Navy did not adopt the device, which, as Rhodes shows, would form the foundations of today’s Bluetooth, Wi-Fi and other wireless technologies. Antheil died before earning any recognition for this achievement, but Lamarr, late in her life, did receive awards. The author quotes liberally—perhaps overly so—from the memoirs of his principals.

A faded blossom of a story, artfully restored to bright bloom.

Pub Date: Nov. 29, 2011

ISBN: 978-0-385-53438-3

Page Count: 272

Publisher: Doubleday

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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