Uncomplicated and unforced, allowing layers of faith to unfold with a natural grace and wisdom.
A serene, beautiful debut that brings together a busted-up rodeo rider and a teenaged ex-con who help each other heal at a family ranch in the Wild Canadian West.
Joe Willie Wolfchild has been a champion rodeo rider since childhood, but his ride on the infamous bull See Four leaves him so battered and maimed that he is forced to retire. He retreats to his Ojibway grandparents’ Wolf Creek ranch, where he is nursed by his Sioux mother, Johanna. Meanwhile, in a bleak suburb, 15-year-old Aiden Hartley drifts into a dangerous life of gangs, drugs and robbery, spurred by the trauma of seeing his black mother, Claire, beaten up by her white boyfriend. Aiden winds up in jail for two years, during which Claire extricates herself from the abusive boyfriend and starts a new life. When Aiden finishes doing his time, a sympathetic youth detective arranges a recuperative stay for him at Wolf Creek. Closed up within himself, Joe Willie is absorbed in trying to fix an old family truck given to him by his father, while Aiden is cocky and hostile. These two stubborn, wounded souls circle each other warily, drawn closer by Aiden’s startling natural propensity for riding. They come to an agreement: The boy will help Joe Willie fix his truck, and in return, the older man will teach him how to ride a bull—but not until Aiden becomes hardened by cowboy life, which includes punishing hikes up Iron Mountain and an encounter with a bear. And Johanna helps Claire restore her relationship with her son by sharing the healing ways of the Sioux. Wagamese, himself an Ojibway from northwestern Ontario, delineates with skill and dignity these stoical lives shaped by the land of their ancestors.
Uncomplicated and unforced, allowing layers of faith to unfold with a natural grace and wisdom.Pub Date: Sept. 1, 2006
ISBN: 0-312-35926-8
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2006
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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