by Rinker Buck ‧ RELEASE DATE: June 13, 1997
An old-fashioned air adventure in the tradition of Charles Lindbergh's celebrated autobiography, The Spirit of St. Louis. Buck, who has written for New York magazine, among other publications, revisits the crowning moment of his youth, the newsworthy 1966 coast-to-coast trek undertaken with his older brother, Kernahan, in a reconditioned Piper Cub. Young Kern Buck, soon after getting his pilot's license at 17, cooked up the idea of flying all the way from New Jersey to California in the two-seat, hand-crank, tailwheel airplane, which the brothers would purchase for $300 and meticulously restore over a long winter. Rinker's presence would be required as copilot and navigator in the radioless Cub. After settling on a southern route through Texas by way of Arkansas, the brothers steered ``stack to stack'' through the steel smog along the river mills at Pittsburgh, with overnights in Indiana, Arkansas, and Texas, reporters picking them up for interviews along the way. The memorable pass through the Rockies, near El Paso, where the pilots battled oxygen starvation as they approached the Guadalupe Pass, is the dramatic centerpiece of the book. From the distance of early middle age—he is now near the age of his father at time of the flight—the author filters his impressive tale through a prism of sympathy for the passionate, damaged man who taught his sons to fly and whose own barnstorming yarns inspired their unusual feat. Says the author, who like his brother sought a way to make a place for himself beyond the shadow of Buck Sr., ``The simple audacity of our trip, our complete naivetÇ and nonchalance, astounds me still.'' This enchanting story of youthful accomplishment, which includes masterly insider descriptions of flight, should reach a broad audience. (25 b&w photos, not seen) (Book-of-the-Month Club/Quality Paperback Book Club selection)
Pub Date: June 13, 1997
ISBN: 0-7868-6100-2
Page Count: 368
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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