Lots of laffs…or at least wet and dry heaves.
Ten children chosen from a teeming crew of trading-card characters with personal-hygiene issues shamble into print.
Parodying the Cabbage Patch Kids and subject since the 1980s to various expansions and reboots, the chubby-cheeked characters—all paper white in the monochrome cast list and frequent illustrations—bear suggestive names like Luke Puke, Rob Slob, and Babbling Brooke; exhibit gross and slovenly behavior; and live together in appalling filth. With all this built-in child appeal, who better to present their misadventures in prose than Stine, the creator of the redolent Rotten School series (and one or two others)? Here, Adam Bomb (his head explodes) and five other housemates trade off narrative duties in a set of short-attention-span episodes. These feature an all-booger science project, middle school hijinks (“ ‘Hey, check it out!’ Wacky Jackie called, and held up her clay creation. ‘What is that?’ Mrs. Hooping-Koff asked. Jackie grinned. ‘It’s a body part! Guess what it is?’ ”), an abusive Rent-a-Mom hired to fend off the snoopy neighboring Perfects, and, for occasional diversions, repeated failures of favorite TV superhero Jonny Pantsfalldown to nab butt-crack–flashing supervillain Big Bootus. By the end, the Perfects and the Rent-a-Mom are both sent packing. “But we’re not bad kids,” Adam Bomb explains. “We just don’t know any better.” Maybe young readers will.
Lots of laffs…or at least wet and dry heaves. (stickers) (Media tie-in/fiction. 7-10)Pub Date: Sept. 29, 2020
ISBN: 978-1-4197-4361-0
Page Count: 208
Publisher: Amulet/Abrams
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Hugely entertaining, timely, and triumphant.
Robot Roz undertakes an unusual ocean journey to save her adopted island home in this third series entry.
When a poison tide flowing across the ocean threatens their island, Roz works with the resident creatures to ensure that they will have clean water, but the destruction of vegetation and crowding of habitats jeopardize everyone’s survival. Brown’s tale of environmental depredation and turmoil is by turns poignant, graceful, endearing, and inspiring, with his (mostly) gentle robot protagonist at its heart. Though Roz is different from the creatures she lives with or encounters—including her son, Brightbill the goose, and his new mate, Glimmerwing—she makes connections through her versatile communication abilities and her desire to understand and help others. When Roz accidentally discovers that the replacement body given to her by Dr. Molovo is waterproof, she sets out to seek help and discovers the human-engineered source of the toxic tide. Brown’s rich descriptions of undersea landscapes, entertaining conversations between Roz and wild creatures, and concise yet powerful explanations of the effect of the poison tide on the ecology of the island are superb. Simple, spare illustrations offer just enough glimpses of Roz and her surroundings to spark the imagination. The climactic confrontation pits oceangoing mammals, seabirds, fish, and even zooplankton against hardware and technology in a nicely choreographed battle. But it is Roz’s heroism and peacemaking that save the day.
Hugely entertaining, timely, and triumphant. (author’s note) (Fiction. 8-12)Pub Date: Sept. 26, 2023
ISBN: 9780316669412
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
In an imaginative wordless picture book, Wiesner (illustrator of Kite Flyer, 1986) tours a dream world suggested by the books and objects in a boy's room. A series of transitions—linked by a map in the book that the boy was reading as he fell asleep—wafts him, pajama-clad, from an aerial view of hedge-bordered fields to a chessboard with chess pieces, some changing into their realistic counterparts (plus a couple of eerie roundheaded figures based on pawns that reappear throughout); next appear a castle; a mysterious wood in which lurks a huge, whimsical dragon; the interior of a neoclassical palace; and a series of fantastic landscapes that eventually transport the boy back to his own bed. Most interesting here are the visual links Wiesner uses in his journey's evolution; it's fun to trace the many details from page to page. There's a bow to Van Allsburg, and another to Sendak's In the Night Kitchen, but Wiesner's broad double-spreads of a dream world—whose muted colors suggest a silent space outside of time—have their own charm. Intriguing.
Pub Date: April 20, 1988
ISBN: 978-0-06-156741-4
Page Count: 32
Publisher: Lothrop, Lee & Shepard
Review Posted Online: Sept. 16, 2013
Kirkus Reviews Issue: March 15, 1988
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