Essential for any devotee of the Band, Dylan, or rock music in the last half of the 20th century.
Nothing forges the bonds of brotherhood like life in a band, especially when it’s the Band.
“When you awake, you will remember everything,” Robertson once wrote; true to form, this debut memoir—covering the life of Robertson and the Band up to the legendary “Last Waltz” concert in 1976—doesn’t miss a thing. Whether running interference for a gangster uncle, taking B12 shots with Edie Sedgwick, or hanging with Bob Dylan at Big Pink, Robertson recalls all the key moments of an eventful life with a songwriter’s eye for detail. Part Indian, part Jewish, and a Canadian native who would adopt and reinvent American music, Robertson learned his trade as a barely legal member of the Hawks, the backing band of rockabilly American transplant Ronnie Hawkins. After years of playing together, the Hawks left Hawkins and were soon touring with Dylan. It was a Faustian bargain—the group famously endured nightly boos as Dylan tortured the folkies with his electric guitars and amps—but the association also led to the most productive periods in the lives of everyone involved. Robertson is especially strong at capturing the Band’s life with Dylan, where a shared spontaneity would inform both Dylan’s legendary “Basement Tapes” and the Band’s classic first albums. “Songs poured out of Bob and we tore through them; if lightning struck and you weren’t around, the show went on without you,” writes the author. What distinguishes the book more than anything is that, besides being Robertson’s story, it’s also a memoriam for the Band, a deeply felt thanatopsis for a group of renegades who were never better than when they were together. The picture may be a bit too rosy; post-breakup, Robertson was permanently at odds with the late Levon Helm over publishing credits. The author addresses the issue but not the fallout.
Essential for any devotee of the Band, Dylan, or rock music in the last half of the 20th century.Pub Date: Nov. 15, 2016
ISBN: 978-0-307-88978-2
Page Count: 512
Publisher: Crown Archetype
Review Posted Online: Aug. 24, 2016
Kirkus Reviews Issue: Sept. 1, 2016
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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