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BRAVE CHICKEN LITTLE

A handsome, most welcome addition to the now–sadly neglected, too-little–published literature of folk and fairy tales.

Byrd retells the familiar tale of folly and trickery, adding some outsize bravery and a happy ending.

Off on an errand for his mother, Chicken Little gets bonked by an acorn. “The sky is falling! I must go and tell the king!” The misguided chick encounters an increasing stream of equally foolish, frightened animals, from Henny Penny to Roly and Poly Moley. The menagerie of 10 encounters Foxy Loxy, who, speaking in sly rhymes, diverts them. “Oh, please, please, let me come, too! I know the best way, I do! I do!…But first, my dear friends, we’ll stop for brunch, or maybe instead, a nice little lunch.” Foxy lures the group to his cottage, where his wife and seven hungry kits wait near a steaming, but not yet boiling, cauldron. When Foxy locks the hapless stew ingredients in the basement, it’s Chicken Little who figures out an escape and outfoxes the fox. Byrd’s charming ink-and-watercolor illustrations depict the animals in old-fashioned clothing with flounces, vests and cravats. Crosshatching and intricate lines define each leaf, butterfly, bee and flower against the lush, pastoral backdrop of woods and rolling hills. The parade of fleeing animals runs right past the king’s long shadow at sunset. Safely tucked under a quilt by his mother, Chicken Little’s too exhausted to utter a word about his errant bravery.

A handsome, most welcome addition to the now–sadly neglected, too-little–published literature of folk and fairy tales. (Picture book/folk tale. 4-7)

Pub Date: Aug. 7, 2014

ISBN: 978-0-670-786169

Page Count: 40

Publisher: Viking

Review Posted Online: May 27, 2014

Kirkus Reviews Issue: June 15, 2014

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  • New York Times Bestseller


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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

Awards & Accolades

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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