Though it often reads like an extended society gossip column, the narrative is studded with enough trivia and name-dropping...
Journalist and screenwriter Greenfield (Exile on Main St.: A Season in Hell with the Rolling Stones, 2006, etc.) pens a eulogy for the 1960s with his portrayal of the ascent and downfall of two upper-class wanderers.
Descended from old money, 20-somethings Susan “Puss” Coriat and Tommy Weber lived off their trust funds, rubbing elbows with Britain’s elite as they discovered their callings—Tommy as a race-car driver, Puss as an actress. By 1964, the couple was married with two baby boys, and they soon fell into the drug experimentation of the mid-’60s. On a trip to the Greek islands with her children in tow, Puss suffered a schizophrenic episode. With her institutionalized, Tommy took charge of the children, soon befriending Keith Richards and staying with the Rolling Stones in France during the recording of Exile on Main St. It was the peak before the fall for both the ’60s and the lives of Puss and Tommy. By 1971, heroin and cocaine became the mainstays of a scene once limited to LSD and marijuana, and Tommy fell into heavy abuse. Puss, as happened with more than a few of the “European hippie jet-set scene,” committed suicide. Tommy then couch-surfed around Europe with his children, hanging out with stars and scammers, even cooking up plans to free Timothy Leary, then a fugitive in Switzerland. Fast-forward a couple decades. Son Jake became a well-known actor, starring in NBC’s Medium, while Charley became a musician and Web designer. After abusing his body for decades, Tommy died in 2006. To sum up the turbulent decade, the author visited Puss’ grave, writing that, along with her physical remains lies “the spirit of an age long since gone, a moment in time when those engaged in a grand social experiment did everything they could to break free from all constraints.”
Though it often reads like an extended society gossip column, the narrative is studded with enough trivia and name-dropping to engage ex-hippies and other fans of ’60s culture.Pub Date: May 15, 2009
ISBN: 978-0-306-81622-2
Page Count: 320
Publisher: Da Capo
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2009
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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