Greenfield (A Day in the Life: One Family, the Beautiful People, and the End of the Sixties, 2009, etc.) delivers a compulsively readable, evenhanded biography of Atlantic Records’ founder.
The pampered son of the Turkish ambassador to the United States, Ahmet Ertegun (1923–2006) began promoting jazz concerts as a teen in Washington, D.C., with his older brother. Financed by a loan from his family dentist, he launched Atlantic in late 1947. With original partner Herb Abramson and ex-journalist Jerry Wexler, who joined the firm in 1953, Ertegun led one of the top independent labels of the wide-open ’50s, releasing major R&B hits by Big Joe Turner, Ruth Brown and Ray Charles. Presciently diversifying during the ’60s and early ’70s, Ertegun profitably tapped the rock zeitgeist by signing Buffalo Springfield, Crosby, Stills & Nash and, in his biggest coup, the Rolling Stones (the subject of two previous books by Greenfield). Though Atlantic was sold to Warner-Seven Arts for $17.5 million in 1967, Ertegun stayed on with the company for nearly four more decades, serving as chairman through a period of unprecedented upheaval in the record industry until his death at 83. Though many of Greenfield’s tales have been spun before—notably in George W.S. Trow’s celebrated 1978 New Yorker profile and a 1991 biography by Dorothy Wade and Justine Picardie—his book is rich in detail and benefits from new interviews with several principal players. The author entertainingly delineates Ertegun’s on-the-money musical taste, flamboyant personal style, antic prank-playing and ability to mingle with personalities ranging from Henry Kissinger to Kid Rock. Though the author obviously admires his subject, he pulls no punches. Ertegun’s bare-knuckled dealings with Abramson and the volatile Wexler, both of whom were pushed out of the company they built, are unflinchingly recorded. His complex, often adversarial relationships with such industry peers as David Geffen and Doug Morris reveal a crafty gamesman who was never willing to surrender the upper hand in business. Ertegun emerges as a man of gargantuan gifts and equally heroic appetites who was ruthlessly adept at looking out for No. 1. A flavorful, balanced piece of music-biz history.
Pub Date: Nov. 8, 2011
ISBN: 978-1-4165-5838-5
Page Count: 496
Publisher: Simon & Schuster
Review Posted Online: July 26, 2011
Kirkus Reviews Issue: Aug. 15, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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