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PSYCHE AND SOUL IN AMERICA

THE SPIRITUAL ODYSSEY OF ROLLO MAY

A revelatory book that should sustain May’s reputation and influence for at least another generation.

A penetrating yet tender engagement with one of the 20th century’s leading psychologists.

Rollo May (1909-1994) once defined therapy as “the search for one’s own myth.” Biography, then, might be read as the search for someone else’s myth. Abzug, a history professor and chair of the Jewish Studies program at the University of Texas, takes this approach, and the May that emerges from the search is one who swings wildly among grandiosity, self-doubt, profound insight, personal fumbling. It’s a far more honest portrait than May’s public image as a self-confident intellectual with his life figured out. Readers gain access to May’s inner struggles through his uncensored journals, which May gave the author three decades ago and from which he draws deeply to achieve extreme intimacy with his subject. But May lived in the world as much as his journals, and Abzug provides an excellent introduction to May’s work that also serves as a useful overview of the tenets and major figures of 20th-century psychology. May’s intellectual life was robust, and he interacted with Alfred Adler, Reinhold Niebuhr, and Paul Tillich before reaching his own prominence. Later in his career, he became a leading figure in existential psychology, joining Carl Rogers and Abraham Maslow at the forefront of the humanistic “third wave” of psychological study. If it sounds like May was everywhere at once, he was, authoring journal articles and books, giving public lectures, attending conferences, teaching, and, of course, treating patients. Refreshingly, Abzug doesn’t dwell only on May’s career. In addition, he offers portraits of youth, family, marriages, affairs, rivalries, illnesses, and deaths—all the rich stuff of life as it concerns a man who was committed to understanding and experiencing the fullest possible range of human possibility.

A revelatory book that should sustain May’s reputation and influence for at least another generation.

Pub Date: Feb. 1, 2021

ISBN: 978-0-19-975437-3

Page Count: 432

Publisher: Oxford Univ.

Review Posted Online: Nov. 10, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
  • 510


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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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