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AGENT JACK

THE TRUE STORY OF MI5'S SECRET NAZI HUNTER

Even though there is little derring-do, this is a delightful account of World War II espionage.

Though British Nazi sympathizers never posed a major threat, MI5 took them seriously. This account of its energetic battle makes entertaining reading.

Capably bringing to light a forgotten World War II story, British political correspondent Hutton (Would They Lie to You?: How To Spin Friends and Manipulate People, 2015) begins in the 1920s with his major character, Eric Roberts, a bored bank clerk who had joined a tiny fascist group (Mussolini had many admirers during his early years). While there, he was recruited as a spy by an oddball anti-Bolshevik organization run by a wealthy businessman. Roberts turned out to have a talent for undercover work, and MI5, Britain’s minuscule internal security agency, was happy for assistance from this private intelligence service. Roberts continued to clerk, devoting free time to unpaid spying, at first on communists but then against British Nazi sympathizers. In 1940, finally flush with money, MI5 hired him full-time. A different MI5 department handled German spies; Roberts’ superiors concentrated on their British supporters, which, to their surprise, were not scarce. Even during the war’s darkest days and with prewar fascists behind bars, a scattering of Britons hoped for a Nazi victory. Their efforts revealed a mostly comic-opera incompetence, but MI5 took no chances, setting up a fake fifth-column organization with Roberts (“Agent Jack”) posing as its Nazi agent/leader. A trickle of volunteers signed up and recruited friends. Most varied from useless to wacky, but a number “were capable of inflicting serious harm on the British war effort. Had Roberts not posed as their Gestapo spymaster, they might have approached Germany directly themselves.” Few were arrested, because a trial would have blown Roberts’ cover. After an undistinguished postwar decade, Roberts retired into obscurity. Many MI5 records from WWII were destroyed, and others remain classified. While there are no firsthand participants alive to give evidence, Hutton has done an impressive job assembling transcripts, letters, interviews, and declassified documents into a delicious spy story.

Even though there is little derring-do, this is a delightful account of World War II espionage.

Pub Date: Nov. 12, 2019

ISBN: 978-1-250-22176-6

Page Count: 336

Publisher: St. Martin's

Review Posted Online: Sept. 10, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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