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A MEMORY OF LIGHT

Will wolves and orcs—or whatever they are—take over the world, or will the good guys prevail? Jordan’s fans, who are legion,...

“There are no endings, and never will be endings, to the turning of the Wheel of Time.” Even so, with this volume, the late Jordan’s hyperinflated Wheel of Time series grinds to a halt.

Jordan (Eye of the World, 1990, etc.), here revived by way of the extensive notebooks, drafts and outlines he left behind by amanuensis Sanderson (Creative Writing/Brigham Young Univ.), was an ascended master of second-tier Tolkien-ism; the world he creates is as densely detailed as Middle-earth, and if the geography sounds similar, pocked with place names such as Far Madding and the Blasted Lands, that’s no accident. Tolkien-esque, too, is the scenario for this saga-closer, namely a “last battle” in which the forces of good are arrayed against those of darkness. The careless reader might take this to be a battle of hairdressers in a West Indian neighborhood: “The Dreadlords came for him eventually, sending an explosion to finish the job. Deepe spent the last moments throwing weaves at them. He died well.” That’s not the case, of course; instead, saga heroes Mat Cauthon and Perrin Aybara range the lands beyond the Dark One’s prison to do all manner of good and adventuresome things. It’s a strange world, that: Perrin finds the pit to end all pits, “[a]n eternal expanse, like the blackness of the Ways, only this one seemed to be pulling him into it.” But then, what kind of epic would it be if it weren’t a strange place?

Will wolves and orcs—or whatever they are—take over the world, or will the good guys prevail? Jordan’s fans, who are legion, will most decidedly want to learn the answer to that question.

Pub Date: Jan. 8, 2013

ISBN: 978-0-7653-2595-2

Page Count: 912

Publisher: Tor

Review Posted Online: Jan. 8, 2013

Kirkus Reviews Issue: Jan. 15, 2013

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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SOMETHING WICKED THIS WAY COMES

A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.

Pub Date: June 15, 1962

ISBN: 0380977273

Page Count: 312

Publisher: Simon & Schuster

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: June 15, 1962

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