Sex, humor, social commentary, and musical numbers animate this absorbing drag drama.
In Karl’s LGBTQ+ novel, a newcomer queen and an up-and-coming performer are set on a collision course in the extra-fabulous Drag Wars tournament.
Donnie’s life is far from easy—his job as a waiter barely earns enough money to take care of his younger brother Carlito while their mother is lost to the streets of Philadelphia, hopelessly addicted to a drug called Tranq. Donnie finds a reprieve on the dance floors of Club Fuego on Friday nights, when it’s taken over by the “Queers, the Queens, the Fashionistas, even the Bizarros,” each writhing body looking for love or just attention. Watching the drag queens perform, Donnie dreams of finding fame on the stage as Fangula, a Latine sensation with fans, an entourage, and a man (not a player) to love him. A new queen right off the bus from Baltimore named Jalen arrives, a voluptuous vision called Pridezilla with a singing voice that can bring even unsuspecting crowds to fevered standing ovations. Both Fangula and Pridezilla look to the advice and legacies of their elder queens to get a leg up in their inevitable showdown in the Drag Wars finals at Club Fuego. Much like the dual protagonists’ acts, everything in Karl’s book is exaggerated; the dialogue takes on a campy, John Waters–esque crassness. Despite this larger-than-life presentation, the novel still evinces a strong and serious social awareness, including nuanced discussions of poverty, sex work, and pronoun use. Pridezilla’s participation in Drag Story Hours illustrates the harmlessness and kindness of these supposedly controversial events, and both Jalen and Donnie face the same violence and bigotry toward themselves and those in their community as real-world LGBTQ+ people do. The performances on stage come alive on the page despite the lack of lights and booming pop music, and the addition of the Greek chorus–like “Snark Sharks,” with their playful yet savage jibes, brings even more humor and style to the proceedings. The story has spicier moments as well—while some are more romantic than others, they all manage to turn up the heat faster than any brightly shining stage light.
Sex, humor, social commentary, and musical numbers animate this absorbing drag drama.Pub Date: June 28, 2024
ISBN: 9798987912669
Page Count: 275
Publisher: Self
Review Posted Online: July 29, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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