by Robert Macfarlane & Stanley Donwood & Dan Richards ‧ RELEASE DATE: Nov. 24, 2020
A lovely evocation of some “spectral and unreal” elements of the British landscape.
Travels in spectral places whose names are barely on the map of England—and so much the better.
Writing with Donwood and Richards, Macfarlane, perhaps the foremost British nature writer at work today, extends his fascination with little-known geographies—see his last book, the outstanding Underland (2019)—by visiting two beyond-the-ken English districts. The first is the “untrue island” of Orford Ness off East Anglia, both wild and bearing a heavy human footprint. Half a century ago, it was used by the government for nuclear tests; now, “brown hares big as deer lope across expanses of shingle cratered by explosions, and the wind sings in the wires of abandoned perimeter fences.” Macfarlane walks the sandy, grassy landscape, delivering a portrait that blends poetry, prose poem, dialogue, and essay, peppered with sightings of the ghostly and uncanny. As is his wont, the author sprinkles long-forgotten landscape terms throughout his pages (“drongs, sarns, snickets, bostles”). One of them is the subject of the second part of the book, the “holloway”—the hollow way, an ancient avenue of humans and animals worn in the soft rock of Exeter, some thousands of years old. “A sunken path, a deep & shady lane,” writes Macfarlane. “A route that centuries of foot-fall, hoof-hit, wheel-roll & rain-run have harrowed into the land,” kin to a hedgerow but wilder still, since few holloways are used by modern travelers: “They have thrown up their own defences and disguises: nettles & briars guard their entrances, trees to either side bend over them & lace their topmost branches to form a tunnel or roof.” The writing is idiosyncratic and elegant, the story inviting enough that, for all its eldritch elements, one might wish to wake up covered in dew and join Macfarlane, Richards, and Donwood (perhaps best known for his Radiohead album covers) in a meal of damson gin and tea-bread—and maybe see a few ghosts along the way.
A lovely evocation of some “spectral and unreal” elements of the British landscape.Pub Date: Nov. 24, 2020
ISBN: 978-1-324-01582-6
Page Count: 176
Publisher: Norton
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Robert Macfarlane ; illustrated by Jackie Morris
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by Amy Tan ; illustrated by Amy Tan ‧ RELEASE DATE: April 23, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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SEEN & HEARD
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New York Times Bestseller
IndieBound Bestseller
by Matthew McConaughey ‧ RELEASE DATE: Oct. 20, 2020
A conversational, pleasurable look into McConaughey’s life and thought.
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New York Times Bestseller
IndieBound Bestseller
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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by Matthew McConaughey illustrated by Renée Kurilla
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