A sparkling, robust young hero with a distinctive voice—a real winner.
In this novel, a 5-year-old girl (whose father is a minor Jane Austen character) makes unexpected discoveries while adventuring through Europe in search of Utopia.
Sofia-Elisabete remembers the unforgettable months of travel and discovery she enjoyed as a 5-year-old in 1815. Sofia-Elisabete is the child of Col. Fitzwilliam, whom readers of Jane Austen’s Pride and Prejudice will recall as the likable but poor cousin of Mr. Darcy. Sofia-Elisabete’s mother is a Portuguese bolero dancer, Marisa Soares Belles, who abandons her baby at a convent. She’s eventually reclaimed by her father and taken to Scarborough, England. Blessed with a rich imagination and vigorous self-confidence, the little girl thrives; her father sometimes suffers from war flashbacks and drug-induced lethargies but makes a good marriage and is a fond father. Doña Marisa and her escort, Señor Gonzalez, come to Scarborough “to find a special someone”—in fact, to retrieve Sofia-Elisabete. For some time, the girl believes they’re journeying to “la luna.” Sofia-Elisabete hopes to discover, like the Spaniard in Francis Godwin’s The Man in the Moone, a paradise where hunger and crime don’t exist. Having many adventures across the Continent and over the Alps, the travelers reach Genoa, where Marisa hopes to find a home. While joyful at her mother’s acknowledgement and reunion with her father, Sofia-Elisabete is left with a difficult choice. Kobayashi (Freedom & Mirth, 2017) captures the magical thinking of young children while anchoring the novel’s peregrinations through repetition of key phrases. Each chapter, for example, begins with the formula “My first [memory, foot-race, etc.], thinks I, was….” Sofia-Elisabete’s perfectly original narrative voice is a delight, as is the girl herself; she’s compassionate, imaginative, and always game to master new skills (drumming, rope-dancing, “jodeling,” dancing the bolero). The glimpses of 1815 Europe, such as Dutch cleanliness and Swiss goiters, are well-observed, yet Kobayashi preserves the childlike point of view. While often very funny, the novel has depth in its concern for humanity’s problems and children’s emotions.
A sparkling, robust young hero with a distinctive voice—a real winner.Pub Date: June 12, 2018
ISBN: 978-0-9985716-5-2
Page Count: 216
Publisher: CreateSpace
Review Posted Online: May 24, 2018
Kirkus Reviews Issue: July 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
PROFILES
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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