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MIA'S NUTCRACKER BALLET

The all-animal cast of characters diminishes the effectiveness of this interpretation as an introduction to the story for...

A gray kitten named Mia poses in her glittering pink tutu on the cover of this somewhat confusing retelling of The Nutcracker ballet.

As the story opens, Mia and her family are having Christmas dinner with her visiting grandparents, with Mia dressed in her pink tutu. The grandfather cat presents Mia with a toy nutcracker and begins to tell her the story of the famous ballet. As the grandfather begins the story, the narrative shifts to a performance of The Nutcracker, with Mia now playing the part of Clara, a flamingo, her godfather. All the roles in The Nutcracker are played by different animals, and it is a little puzzling visually to see a giraffe and a pig peeking out from inside the mouse costumes. The ballet unfolds in traditional fashion, with Mia/Clara dancing with her feline prince and Mia’s sister dancing the part of the Sugarplum Fairy. The ballet sequence ends when Mia returns to her own bed with her new nutcracker toy keeping watch from her windowsill. The illustrations are greeting-card pretty, with lots of pink and purple and swirling snowflakes.

The all-animal cast of characters diminishes the effectiveness of this interpretation as an introduction to the story for younger children. There are many appealing retellings of the ballet in print; The Nutcracker by Susan Jeffers (2007) remains the gold standard. (Picture book. 3-6)

Pub Date: Oct. 1, 2013

ISBN: 978-0-06-223830-6

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 13, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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DR. SEUSS'S HOW THE GRINCH LOST CHRISTMAS!

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.

Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.

Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)

Pub Date: Sept. 5, 2023

ISBN: 9780593563168

Page Count: 40

Publisher: Random House

Review Posted Online: Aug. 15, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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THE PIGEON HAS TO GO TO SCHOOL!

From the Pigeon series

Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.

Awards & Accolades

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  • New York Times Bestseller


  • IndieBound Bestseller

All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.

Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.

Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)

Pub Date: July 2, 2019

ISBN: 978-1-368-04645-9

Page Count: 40

Publisher: Hyperion

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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