Even though the over-the-top ending sputters into a wild tailspin, Currie’s caustic humor and deadly sarcastic bite win out.
A Swift-ian morality tale about a land of “hysteria and half-truths.”
Currie’s (Flimsy Little Plastic Miracles, 2013, etc.) fourth and most conventional novel has an epigraph from Erasmus: “In the land of the blind, the one-eyed man is king.” K., our 44-year-old narrator, is a common, honest man in a contemporary America where people are all too ready to twist the truth. K.’s beloved wife, Sarah, died from cancer seven months ago. He isn’t taking it well; in fact, he has become “completely unhinged.” K.’s friend Tony tells him he has turned into “Mr. Roboto...you’re so goddam literal.” K. suffers from a heightened sense of hyperfactuality. He argues with Tony about the wording on a bottle of hand wash and ends up throwing it through Tony’s window. He gets into an argument over what someone’s bumper sticker actually means. At Total Foods, he gets into an argument with a clerk, Claire, about how fruits are incorrectly labeled, but, he tells her, he’s “not dangerous or anything.” He “just needs things to be true....Actual. Clear.” Off to get his usual Grande Americano he sees a young woman in a store being held up. He knocks on the window and gets shot, saving her. To K.’s befuddlement, he’s proclaimed a hero, given an award. A newsman from Fox visits him in the hospital and wants to do a reality TV show with him. America, You Stoopid follows K. and Claire (now his manager) around America. They talk with people about many issues: abortion, gun control, immigration. But the “dominant mode of national discourse”—things are either entirely right or wrong—brings about nasty arguments, and K. becomes a major star. Tomfoolery and shenanigans abound in this wicked indictment of our divided land.
Even though the over-the-top ending sputters into a wild tailspin, Currie’s caustic humor and deadly sarcastic bite win out.Pub Date: March 17, 2017
ISBN: 978-0-670-02535-0
Page Count: 336
Publisher: Viking
Review Posted Online: Dec. 26, 2016
Kirkus Reviews Issue: Jan. 15, 2017
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
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