An entertaining thrill that leaves readers wanting more.
T’Challa, I’ve got a feeling we’re not in Wakanda anymore.
In his latest, Coretta Scott King/John Steptoe Award–winning author Smith (Hoodoo, 2016) weaves an origin tale of T’Challa, the prince of the African Wakanda people who becomes the superhero Black Panther. Readers meet T’Challa while he’s still a preteen, racing through the forests of his homeland with his best friend, M’Baku, by his side. There is unrest in Wakanda, however, and to protect his son from harm, the king sends T’Challa and M’Baku to South Side Middle School in Chicago under aliases, giving them a chance to learn about the outside world. While the overall story is well-paced, readers do not spend long enough in Wakanda for T’Challa’s pre-Chicago character to fully solidify. The novel ably depicts the pressure both boys feel to assimilate into American culture and nicely teases out the tensions and jealousies that simmer below the surface of their friendship. M’Baku, out of T’Challa’s princely shadow for the first time, is in danger of losing himself, while T’Challa must find an identity separate from that which his royal status affords him. At times, the boys’ naiveté about American culture—played for laughs—strains credulity. The tale’s most profound sections show T’Challa grappling with American racial history and the complications inherent in being perceived to be African-American.
An entertaining thrill that leaves readers wanting more. (Fantasy. 9-14)Pub Date: Jan. 2, 2018
ISBN: 978-1-4847-8764-9
Page Count: 272
Publisher: Marvel Press
Review Posted Online: Oct. 27, 2017
Kirkus Reviews Issue: Nov. 15, 2017
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.
In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.
Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)Pub Date: July 25, 2017
ISBN: 978-0-545-88083-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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