 
                            by Rosemary L. Bray ‧ RELEASE DATE: March 1, 1998
An African-American woman, a child of the '60s, recalls growing up poor on Chicago's South Side, attending Yale as an affirmative-action beneficiary, and taking her knocks en route to an understanding of the world and her role in it. Critical of recent changes in welfare that would prohibit the kind of good fortune she received, Bray, whose father spent more time gambling and fighting with his wife than he did working, and whose proud mother took welfare to make ends meet, says she has written this book to show the good that could happen under the welfare system of the '60s. She describes the frustrations of being poor—an early reader who later, with her mother's assistance, took titles home from the library, she would also become a petty thief, pilfering bills from carelessly left wallets at school, until she was caught. At Yale, her personal style of ``unadorned feminism'' was ``anathema.'' Work as a reporter at a Connecticut daily led soon enough to a New York publishing career and conflicts with egotistical male editors. She found herself living in Harlem in the go-go '80s, working for several publications before landing a dream job at the New York Times Book Review. In the closing section Bray speaks out against the demonization of welfare recipients inherent in the dialogue surrounding the 1996 welfare bill. Writes Bray, ``I was not a wolf, or an alligator, or a mistake, or an affront.'' The bill, she says, substitutes social Darwinism for democratic and religious values like compassion and protection of the vulnerable. Bray is an eloquent and perhaps surprising voice for the generation of welfare recipients that has come of age since the '60s. As her affecting story reflects, her accomplishment is an achievement not so much of material progress but of the intellect— a contribution to cultural understanding. (Author tour)
Pub Date: March 1, 1998
ISBN: 0-679-42555-1
Page Count: 304
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1997
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by Rosemary L. Bray & illustrated by Malcah Zeldis
 
                            by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
 
                            by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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