by Rosemary Wells & Tom Wells & illustrated by Dan Andreasen ‧ RELEASE DATE: March 1, 2001
Andreasen (Tattered Sails, 2001, etc.) has chosen to frame this tale about a pre-Depression Kentucky family getting a new mail-order house as a scrapbook, with 11-year-old Emily’s narrative running alongside arrays of drawings, advertisements, diagrams, antique-looking photos, small keepsakes, and other memorabilia, all rendered with photorealistic precision. Having spent most of her life sharing the attic with little brother Homer, Emily is understandably thrilled to sit down at the table with her parents and pick out a house from a catalogue—a house with not only a room just for her, but such modern conveniences as indoor plumbing, an electric refrigerator, and a gas range. Half the town turns out when the house arrives in prefabricated parts, and, for Emily at least, the excitement never flags through the months of hard work it takes to put it all together. Her account is more a broad outline than a tally of nitty-gritty details, but like Jane Yolen’s Raising Yoder’s Barn (1998), it will leave young readers seeing the walls and buildings around them with new eyes. For a sense of period, you could hardly do better than these evocative illustrations. (Picture book. 7-9)
Pub Date: March 1, 2001
ISBN: 0-670-03545-9
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2002
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by Rosemary Wells ; illustrated by Rosemary Wells
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by Rosemary Wells ; illustrated by Rosemary Wells
by Lulu Delacre ; illustrated by Lulu Delacre ‧ RELEASE DATE: Sept. 17, 2019
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Lulu Delacre ; illustrated by Lulu Delacre
by Allen Say ; illustrated by Allen Say ‧ RELEASE DATE: April 1, 1999
In describing how his parents met, Say continues to explore the ways that differing cultures can harmonize; raised near San Francisco and known as May everywhere except at home, where she is Masako, the child who will grow up to be Say’s mother becomes a misfit when her family moves back to Japan. Rebelling against attempts to force her into the mold of a traditional Japanese woman, she leaves for Osaka, finds work as a department store translator, and meets Joseph, a Chinese businessman who not only speaks English, but prefers tea with milk and sugar, and persuades her that “home isn’t a place or a building that’s ready-made or waiting for you, in America or anywhere else.” Painted with characteristic control and restraint, Say’s illustrations, largely portraits, begin with a sepia view of a sullen child in a kimono, gradually take on distinct, subdued color, and end with a formal shot of the smiling young couple in Western dress. A stately cousin to Ina R. Friedman’s How My Parents Learned To Eat (1984), also illustrated by Say. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-395-90495-1
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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