Essential reading for all ages.
International speaker Bridges applies lessons of history to the task before us.
The text of the book reads like a letter, addressed to “you,” the children of today. Each spread has one page of simply phrased text—a short paragraph in a large font against a white background—facing a page of one or two black-and-white photographs. The first 20 pages vividly recount Bridges’ experience as a first grader integrating an all-White school in New Orleans: the angry crowds lining her path, the federal marshals ordered to protect her, the difficult choice her parents faced, her kind teacher from Boston who spent the days alone with her in a classroom emptied of White children whose families protested integration. The words then transition to appreciation of the many children Bridges has spoken with during school visits. She shares individual encounters with hopeful and brave children who inspired her as well as general reflections on racism and generational dynamics. Finally, the text turns to the present day—the need for “love and grace for one another that will heal this world.” Pictures of 2020 protests, sometimes sharing the page with pictures from historical protests, show young people demanding change. The simple layout is powerful: The photographs present a striking reality concerning our collective past and the repetition of history. Bridges’ hopeful words, her faith born of experience, are soothing and encouraging in this time of unrest and uncertainty.
Essential reading for all ages. (Nonfiction. 6-adult)Pub Date: Nov. 10, 2020
ISBN: 978-0-593-37852-6
Page Count: 64
Publisher: Delacorte
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
SEEN & HEARD
SEEN & HEARD
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.
A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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