Alam captures something truthful and essential about the push-pull of friendship—the desire for closeness as well as the...
This debut novel about two close childhood pals trying to maintain a friendship as their adult paths gradually diverge has an amiable familiarity.
Lauren and Sarah have been BFFs since sixth grade, when Lauren, an 11-year-old from a middle-class New Jersey family, snagged a scholarship to a fancy private school in Manhattan and was immediately befriended by popular Sarah, her ambassador to the world of the wealthy. Sarah is rich. Lauren is pretty. Sarah volunteers for worthy projects and works part time in a charity thrift store, goes to the gym, lunches with friends, has Sunday night dinner with her conservative political adviser father and her mother, a retired singer of moderate renown, in their large, eclectically elegant home. Lauren lives in a tiny yet stylish Brooklyn apartment and ekes out a modest living in book publishing, slowly climbing the editorial ladder and, for a while anyway, bedding the temp. Sarah lives in a Manhattan two-bedroom with a foyer, a separate kitchen and ample closet space (ah, fiction) and is busily planning her wedding to her doctor fiance—trying on dresses, sampling slices of cake. Lauren, her maid of honor, is uninterested in committing to a romantic relationship and not above a casual tryst with, say, a waiter at a resort hotel during Sarah’s pre-wedding girlfriend getaway. These women still understand each other in a way no one else may, but they’ve drifted apart since the days of middle school sleepovers, high school and college parties, and a stint as post-college roomies. “Things change, in life—of course they do,” Alam writes, of Sarah’s perspective. “People grow up, become interested in new things, new people. Our way of being in the world is probably a lot less fixed than most people think. But Lauren is a part of her world, and she’s a part of Lauren’s.” Lauren, though, wonders if her friendship with Sarah has survived solely by “force of habit.” Although Alam seems to have no deep new insight to share and his story is thin on plot, his characters are real and rounded enough to escape being entirely cliché, and he displays a robust understanding of and affection for the nuances of female friendships as they evolve over time.
Alam captures something truthful and essential about the push-pull of friendship—the desire for closeness as well as the space to define ourselves—and admirably resists the urge to look down on his characters.Pub Date: June 7, 2016
ISBN: 978-0-06-242993-3
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: March 14, 2016
Kirkus Reviews Issue: April 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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