Young Shoba and her long-tailed companion Fuzzy Patel are off to a monkey wedding in Mumbai (Bombay)—but the road turns out to be longer than expected, looping about much of India, as a closing map reveals. Along the way, the two travelers encounter camels, elephants, and shaven-headed monks, a young vendor of coconut juice, an old snake charmer, and women clad in beautifully patterned saris. All of them ignore Fuzzy Patel’s efforts to discourage them from coming along, and all gather for a merry feast of “laddoos, jelabees, and gulab jamun,” with dancing, singing, and “funky monkey music.” Jeyaveeran depicts both journey and celebration in incandescent pinks and purples, casting stylized figures with a range of features and skin tones against broadly brushed Indian backgrounds. For a sweeping, evocative glimpse of India’s spectacular diversity, young readers could do no better than this good-humored, vivacious debut. (glossary) (Picture book. 6-8)
Pub Date: Aug. 30, 2004
ISBN: 0-618-43419-4
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
BOOK REVIEW
BOOK REVIEW
In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23444-6
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A club-shaped pumpkin gets dissed by a customer, all the other pumpkins, even twisted apple trees, before the sight of a motley crop of hubbards, acorns and banana squash brings on a personal epiphany: “O my gosh / I’m a squash.” Endowed with a face and stick limbs, the gnarled narrator sits down at a Thanksgiving table with its new soulmates, then is last seen strolling down the lane hand in hand with a lumpy new friend. Written in doggerel—“A skeleton came for pumpkins / one bright and crispy day. / I asked if I could get a ride . . . / He laughed and said: No Way”—and illustrated in brightly colored paint-and-paper collage, this weak riff on the “Ugly Duckling” may not earn high marks for botanical accuracy (all pumpkins are squash), but it does feature plenty of visual flash. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-399-24267-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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