An insightful, thought-provoking probe into the impulses of sexual desire.
A collection of musings on actress Matthews’ sexual history, including several incidents of abuse as a child—as told to and arranged by critic Shields (How Literature Saved My Life, 2013, etc.).
Originally conceived as a documentary about Matthews’ side job as an English dubber of Italian pornography, the project developed into a much more revealing examination of her feelings about desire, sex, and love. Corresponding with Shields, her cousin once removed, Matthews reveals the extent to which the repeated sexual trauma she suffered as a child has affected her life. Matthews refers to her trauma as the experience that “formatted” her; all subsequent experiences have been interpreted or refracted by her abuse. Shields, too, notes in his introduction that the project’s focus shifted to whether or not one important question could be answered: “How and to what degree is it possible to get beyond early trauma?” However, the psychological trauma experienced by Matthews as a child was not limited to sexual abuse. She also delves into the complex relationship she has with her mother, whose Jekyll-and-Hyde personality, along with her drinking problem, instilled in her paranoid and guilty thoughts about sex and pleasure. As Matthews digs deeper into her reflections on past lovers and relationships, she has a startling knack for self-analysis, describing her continual need to be the object of desire as well as the many instances that lead to her “intimacy-junkie” diagnosis. Behind Matthews’ conclusion that she lacks ownership of her body is Shields. Like Freud’s case studies, Shields acts as a gatekeeper of Matthews’ life, shaping the details of her experiences into his interpretation of her narrative. In this way, their collaboration is further complicated and creates a dramatic entanglement that goes far beyond the therapist-session quality of Matthews’ monologue.
An insightful, thought-provoking probe into the impulses of sexual desire.Pub Date: June 9, 2015
ISBN: 978-1-940450-64-3
Page Count: 128
Publisher: McSweeney’s
Review Posted Online: March 19, 2015
Kirkus Reviews Issue: April 1, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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