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THE PIÑATA THAT THE FARM MAIDEN HUNG

What’s meant to be a cultural celebration is, alas, culturally inaccurate.

What’s a birthday without a piñata?

A young girl’s family, along with some talented farm animals, get cracking as soon as she leaves for the market. To the traditional rhythms of “The House that Jack Built,” clay is gathered, water hauled, paper shredded, etc., until all is ready for the celebration. The girl and the code-switching rhyming scheme from Vamos’ The Cazuela that the Farm Maiden Stirred (illustrated by Rafael López, 2011) return for more Spanish vocabulary reinforcement. The inclusion of Oaxacan alebrijes indicates the setting is Mexico. As such, it’s puzzling as to why “pasta” is used for the glue paste instead of the correct piñata-making term: “engrudo.” The European term “farm maiden” is also incongruous to the setting. Barcelona-based Serra’s inaccurate illustrations further the sense of inauthenticity. The characters present as Spaniards and not Mexicans, as evidenced by clothing and hats. Plain wood carvings are substituted for the fantastical alebrijes referenced in the text. Papel picado banners are depicted as pennants instead of rectangles. His piñata seems to have clay points rather than cardboard. Even the “brilliant bluebells” the caballo picks are European rather than Mexican. To add insult to injury, the glossary includes Anglicized pronunciations: “sor-PRAY-sah” instead of sor-PREH-sah for “surprise.” Such lighthearted touches as the cat ferociously shredding paper cannot mitigate the book’s flaws.

What’s meant to be a cultural celebration is, alas, culturally inaccurate. (piñata instructions, glossary) (Picture book. 4-8)

Pub Date: Jan. 8, 2019

ISBN: 978-1-58089-796-9

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE CRAYONS GO BACK TO SCHOOL

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.

The Crayons head back to class in this latest series entry.

Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)

Pub Date: May 16, 2023

ISBN: 9780593621110

Page Count: 32

Publisher: Philomel

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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