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KILL THE KING

Fans of Larsson and Nesbø will hope that Dazieri changes his mind and extends the Torre/Caselli series.

Italian mysterian Dazieri concludes a trilogy of dark mayhem with a suitably gruesome close.

If Kill the Father (2017) gave us a would-be paterfamilias with whom only Hannibal Lecter would want to exchange Christmas cards and Kill the Angel (2018) introduced readers to the arcana of Indo-European mythology, this concluding volume is a study in PTSD. And for good reason: Colomba Caselli, the enterprising detective heroine, has had just about all she can stand of mass murder, decapitation, and other hallmarks of her trade, and she’s taken herself to the Italian countryside to rest. It’s quiet—too quiet, since the area is full of little towns “inhabited only by old people who rounded out their pensions by hunting for truffles.” Yet even there trouble has a way of finding Colomba, in this case in the form of an apparently autistic young man she finds wandering about dazed, covered in blood that is not his own. The lad, she learns, “is perfectly capable of understanding and formulating intent,” which makes him a fine candidate for imprisonment. It would be nice if Dante Torre, Colomba’s partner in crime-solving, were on hand to figure out what’s happened in the quaint confines of Montenigro, but he’s been imprisoned in a “six-story building the size of a public housing block without a single fucking window on the upper floors”—and on the outskirts of Chernobyl, no less. This is no cozy English countryside whodunit: The doings that are afoot are nasty and exceedingly lethal, with a mad truck driver, for instance, mowing down rows of priests and assorted other victims until the festivities come to an end in a huge explosion “slicing like an incandescent scythe through the crowd of running people.” That’s just a taste of the ugliness that people wage on one another throughout the book, which is decidedly not for sensitive souls.

Fans of Larsson and Nesbø will hope that Dazieri changes his mind and extends the Torre/Caselli series.

Pub Date: May 19, 2020

ISBN: 978-1-5011-7472-8

Page Count: 384

Publisher: Scribner

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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THE MAN WHO DIED SEVEN TIMES

A fresh and clever whodunit with an engaging twist.

A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.

Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”

A fresh and clever whodunit with an engaging twist.

Pub Date: July 29, 2025

ISBN: 9781805335436

Page Count: 288

Publisher: Pushkin Vertigo

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE THURSDAY MURDER CLUB

From the Thursday Murder Club series , Vol. 1

A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.

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Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.

The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.

A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.

Pub Date: Sept. 22, 2020

ISBN: 978-1-98-488096-3

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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