by Sara Wheeler ‧ RELEASE DATE: April 23, 2002
Wheeler has set a high standard for Cherry-Garrard biographies to come, as surely they will. (16-page photo insert)
A nimble and discerning biography of an aristocratic adventurer who wrote one of the finest books on polar exploration.
Considering the adoration in which he is held in polar circles, it comes as a shock to learn that Wheeler’s is the first biography of Cherry-Garrard. The explorer’s Worst Journey in the World, chronicling his three years in the Antarctic with Robert Falcon Scott, is routinely cited as a peerless example of adventure-writing. And Wheeler (Terra Incognita, not reviewed, etc.) does a remarkable job in coaxing from scant primary source materials a sense of the man, presenting a personality to go with Cherry-Garrard’s detached, ironic voice. He was privileged, as someone with a name like that must be, reared on great English estates with rooks and gardeners and manor houses old enough to have medieval architectural remnants. Though he was never comfortable with the swells and the bloods, he harbored a respect for tradition and ritual, and his “ambition, single-mindedness, and self-reliance” led him into the arms of Robert F. Scott and the push to the South Pole, with its disastrous consequences, for which Cherry-Garrard assumed his own share of the responsibility. Building on the reminiscences of Cherry-Garrard’s widow, Wheeler fashions a convincing portrait of a man who rued the changes in the pastoral landscape and the position of the gentry and was deeply depressed by his many illnesses and the dreadful consequences of war, economic depression, then more war—all shaping a life that feels an extended exercise in “elegiac melancholy.” Though she doesn’t try to gloss the silences in the historic record, the author’s image of Cherry-Garrard isn’t fragmentary, but rather crazed, like an old mirror or the polar ice.
Wheeler has set a high standard for Cherry-Garrard biographies to come, as surely they will. (16-page photo insert)Pub Date: April 23, 2002
ISBN: 0-375-50328-5
Page Count: 384
Publisher: Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2002
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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