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DON'T CALL IT A CULT

THE SHOCKING STORY OF KEITH RANIERE AND THE WOMEN OF NXIVM

An incendiary, serpentine report on criminal manipulation of staggering proportions.

How a treacherous cult amassed a following under the guise of self-improvement.

Vancouver-based investigative journalist Berman front-loads her startling, comprehensive exposé on the NXIVM group with key information on how the association became popular yet remained elusive to law enforcement. She shares interview material from several members of a large cast of characters, including Clare and Sara Bronfman, heirs to the Seagram’s fortune who funded the organization for years (Clare is currently in prison). Berman tracks NXIVM “Vanguard” Keith Raniere’s history as an Amway distributor–turned–pyramid-sales executive. In the 1980s, he joined forces with former nurse Nancy Salzman (known as “Prefect”), and the duo promoted training and coaching programs geared toward women’s empowerment. Using a philosophical playbook influenced by Scientology and other similar groups, NXIVM began amassing members, each of whom was charged with recruiting others via classes called “intensives.” Bankrolled by the Bronfman sisters, who were cunningly exploited for their exorbitant wealth and strained familial relationships, the increasingly “dangerous mafia-like” society steamrolled its way into the lives of vulnerable, unsuspecting people, employing blackmail, extortion, forced confinement, and even sex trafficking. Raniere then created offshoots like the particularly insidious Dominus Obsequious Sororium. “By the time of his arrest,” writes Berman about DOS, “at least 102 women had been initiated into Raniere’s secret society. Not all of them had been branded, and not all of them had been coerced into sex, but court records and testimony would show that he considered all of them to be his slaves.” Not for the easily rattled, the author’s engrossing reportage meticulously reveals the tumultuous rise and fall of NXIVM after numerous criminal indictments and prosecutions. The author incorporates critical narratives from former members, laying bare their awful experiences. Her research, which eventually caused her to fear for her own personal safety, informs a vital cautionary tale about how “power, consent, and women’s agency” can be weaponized. File this alongside Lawrence Wright’s Going Clear and Jeff Guinn’s The Road to Jonestown.

An incendiary, serpentine report on criminal manipulation of staggering proportions.

Pub Date: April 20, 2021

ISBN: 978-1-58642-275-2

Page Count: 320

Publisher: Steerforth

Review Posted Online: Feb. 18, 2021

Kirkus Reviews Issue: March 15, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
  • 510


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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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