Head into the pit for a quick horror read; those looking for immersion should keep out.
Three spooky novellas pit teens against mechanical creatures.
Oswald, Sarah, and Millie are dissatisfied with their lives. Oswald's father is unemployed and money is tight—and to make things worse, his best friend has moved away. Sarah has a poor self-image, disordered eating, and wants to be model-pretty and popular. Goth Millie is miserable living with her grandfather in his overstuffed Victorian. Yet all three find that wishing for things to change can have consequences far worse than their previous troubles—ones that may claim their lives. Several characters from the Five Nights at Freddy’s video game franchise feature in this short collection, and the animatronics in these original stories evoke the game’s clunky, fear-inducing characters. While the novellas are certainly engaging in terms of plot and include some terrifying—albeit gory—imagery, the characters and their stories border on cliché. Debut author Cooper’s contributions are at times inventive, with nonlinear plots and inconclusive endings, but all the stories include similar, predictable plot points and occasional passages that could have been edited for clarity. There is a notable amount of repetitive and (too) straightforward dialogue throughout, but the simplicity overall makes for a smooth read that’s devoid of ambiguity, focusing instead on the forward movement of action, which may draw in reluctant readers. Main characters are white; there is some minor diversity in secondary characters.
Head into the pit for a quick horror read; those looking for immersion should keep out. (Horror. 12-16)Pub Date: Dec. 26, 2019
ISBN: 978-1-338-57601-6
Page Count: 208
Publisher: Scholastic
Review Posted Online: Sept. 9, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Characters to love, quips to snort at, insights to ponder: typical Spinelli.
For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.
On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.
Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)Pub Date: Aug. 3, 2021
ISBN: 978-0-593-30667-3
Page Count: 240
Publisher: Knopf
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
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