A queer coming-of-age novel that achieves rare peaks of lyricism and emotional intensity.
Twenty years later, an Irish man revisits his hometown, and his first love.
In the prologue of Irish poet Hewitt’s debut novel, set in 2022, narrator James Legh has an insight: “Every time I looked into a lover’s eyes—even, I think, my husband’s eyes—I wanted to see Luke’s eyes, green and urgent, holding me.” He decides to return to Thornmere, where he grew up and where, at the age of 16, he fell in love with a boy who was staying on a farm that was one of the stops on the early morning milk run, his first job. James is a deeply awkward and lonely boy, and coming out to his parents and classmates has only isolated him further. In addition to economic struggles, his parents have another hardship: James’s 5-year-old brother, Eddie—an adorable character, perfectly depicted—has a serious chronic illness that causes frequent, terrifying seizures. Over the next few months, James’ adolescent crush on Luke will completely consume him, leading to sublime tortures and tortuous sublimes and, finally, a critical crossroads of loyalty. Or, as James puts it, “I had come to find love, its vision, its company, to be changed by it, set free into its passionate balance, knowing that it would deplete me as much as it sustained, that it would torture me as much as it made life, the thing it threw into agony, worth living.” This is a poet’s novel, with as much nature writing as action and dialogue; Wordsworth meets Justin Torres in its aching intensity and passionate descriptions. Here is James regarding Luke as he thumbs through a porn mag: “I watched him, trying to trace any flicker of emotion or intent across his face, and all the green and golden light of the trees was washing over him, the leaves a lush blur behind him. Occasionally, a breeze would life and sway a branch, and make a lovely sighing sound, and then came the crinkling noise of a page being turned.” Readers looking for gorgeous language and richly developed atmosphere will be impressed and moved.
A queer coming-of-age novel that achieves rare peaks of lyricism and emotional intensity.Pub Date: April 15, 2025
ISBN: 9780593802847
Page Count: 224
Publisher: Knopf
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
