This thrilling historical mystery will have readers anxiously turning pages and checking under their beds
A young Victorian is haunted and hunted by monsters from the era’s darkest literature in Peacock’s spine-tingling mystery.
Edgar Brim has lived every story he has ever read. Sent to the College on the Moors (for Boys) after the mysterious death of his father, the white English lad spends his days dodging bullies and the rugby ball, while his nights are spent amid the mesmerizing and terrifying creations of such authors as Le Fanu, Stevenson, and Shelley, whose mad villains and vicious monsters invade Edgar’s nightmares. In his last year of school, when a young boy he has befriended suddenly dies, teenage Edgar is approached by Professor Lear, who claims that the student and Edgar’s father were both murdered for the same reason that Edgar’s own life is in danger—they suspected the monsters from dark stories are real. Joined by the professor’s attractive grandson and fearless granddaughter, as well as a talented and deceptive friend from school, Edgar and Lear set out to hunt down the bloodthirsty creature from the pages of the newest sensation novel before it kills them to protect its secret. With cameos from such artistic giants as Bram Stoker and the actor Henry Irving, Peacock weaves the frissons of classic Gothic horror into the reality of a culture entranced by its own dark creations.
This thrilling historical mystery will have readers anxiously turning pages and checking under their beds . (Historical thriller. 12-16)Pub Date: May 3, 2016
ISBN: 978-1-77049-698-9
Page Count: 352
Publisher: Tundra Books
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
Characters to love, quips to snort at, insights to ponder: typical Spinelli.
For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.
On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.
Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)Pub Date: Aug. 3, 2021
ISBN: 978-0-593-30667-3
Page Count: 240
Publisher: Knopf
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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