An innovative and captivating reflection on identity and self.
An ambitiously authentic adoption story where fiction does the work of truth, and archives, correspondence, and health records provide the roots of fantasy.
When she was 19, Shannon Elaine Gibney met Erin Rebecca Powers via a letter from Child and Family Services of Michigan. Yet their existences had already been deeply and intimately interwoven. Shannon was adopted by middle-class White parents Jim and Susan Gibney soon after her birth in 1975, but her alcoholic White birth mother, Patricia Powers, had named her Erin. Narratively, time and space become impressively distorted as Gibney relays autobiographical accounts of Shannon and Erin that complicate her conceptions of self as a transracial adoptee, biracial Black woman, writer, and science-fiction fan. Erin is imagined at dinner tables with extended family whom Shannon would never know well, if it all, facing the racist familial microaggressions she can’t quite avoid in any timeline. Biographical elements are similarly reconfigured: A maternal genetic predisposition to cancer and discovering parts of her Black biological father and his family tree that had all but been erased help flesh out Shannon and Erin in fuller, more embodied ways. Gibney invokes poet Audre Lorde as a sort of third mother, a source of creative inspiration and guidance. As both Erin and Shannon proceed through the spiral wormhole that threads this text together, Gibney offers up the singularly essential connective tissue of a robust and personal body of work.
An innovative and captivating reflection on identity and self. (author’s note, further reading) (Speculative nonfiction. 14-adult)Pub Date: Jan. 10, 2023
ISBN: 978-0-593-11199-4
Page Count: 256
Publisher: Dutton
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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