Geckos are neither so common nor so freighted with superstition in North America as they are in parts of Asia, but they are...
When part of a baby lizard’s tail is chopped off when it’s caught in a drawer, he searches for the “new look” his mother promises him.
In this appealing tale from India, the worried lizard approaches various animals, asking each for its tail. The squirrel, the cow and the cat explain why they can’t help: They need their tails. Three dogs just laugh. An elephant gently points out how silly he would look with another animal’s tail, and he finally agrees. By the time his search has ended and he returns home to his mother, his new tail has already begun to grow. Simply but capably told, with believable dialogue, the narrative is well-paced, allowing time for reflection. In spite of the startling “chop-slice” at the beginning, this is a wonderfully reassuring story. Kastl’s animals are not anthropomorphized, but they seem to smile. Her expressionistic paintings, textured with a palette knife, show well from a distance. With a Ganesh statue, a sign saying “Horn Please,” a family of monkeys and the caparisoned temple elephant, the setting reflects an Indian sensibility—but the story is universally understandable.
Geckos are neither so common nor so freighted with superstition in North America as they are in parts of Asia, but they are familiar and pleasing enough to make this an ideal choice for sharing with preschoolers. (Picture book. 3-6)Pub Date: June 16, 2014
ISBN: 978-8-181-90150-7
Page Count: 28
Publisher: Karadi Tales
Review Posted Online: April 8, 2014
Kirkus Reviews Issue: May 1, 2014
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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