A fun literary remix.
A new spin on the H.G. Wells classic from the genre-hopping Mexican Canadian novelist.
Young 19th-century woman Carlota Moreau has spent her whole life in Yaxaktun, a ranch in northern Yucatán, Mexico, and that’s just fine with her: “I feel as if Yaxaktun is a beautiful dream and I wish to dream it forever,” she tells a visitor to the isolated property. She lives there with her beloved father, Dr. Moreau, whom she considers “the sun in the sky, lighting her days.” They’re not the only ones on the ranch, however—it’s populated by Dr. Moreau’s “hybrids,” part human and part animal, the results of the doctor’s bizarre experiments. Looming over everything is Hernando Lizalde, Dr. Moreau’s patron, who bankrolls the doctor’s laboratory in hopes that he’ll eventually create hybrids that are fit to work on his haciendas, but he seldom visits the ranch. On one of those visits, he brings along Montgomery, a self-loathing, hard-drinking English hunter whom Dr. Moreau hopes to hire as a mayordomo, an overseer of the property and its hybrids. Montgomery takes the job, and six years later things begin to fall apart: Hernando loses patience with the doctor’s slow pace, and his son, Eduardo, visits the ranch and falls for Carlota; the results of their relationship threaten to destroy everything Dr. Moreau has worked for. Meanwhile, Carlota begins to question her adored father’s experiments; the doctor acknowledges the creatures suffer greatly but insists that “pain must be endured, for without it there’d be no sweetness.” Moreno-Garcia’s novel starts a little slowly, but there’s a reason for that—the setup is crucial to the book’s action-packed second half, and the payoff is worth it. Moreno-Garcia’s previous work has spanned genres—horror in Mexican Gothic (2020), noir in Velvet Was the Night (2021)—and in this volume, she deftly combines fantasy, adventure, and even romance; the result is hard to classify but definitely a lot of fun. This isn’t the first book to riff on H.G. Wells’ The Island of Doctor Moreau (1896), but it’s definitely one of the better ones.
A fun literary remix.Pub Date: July 19, 2022
ISBN: 978-0-593-35533-6
Page Count: 320
Publisher: Del Rey
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.
More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.
In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.Pub Date: Aug. 12, 2025
ISBN: 9780063336773
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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