A captivating account of three revolutionaries and the intrepid journalists who brought their stories to the world.
Present at the revolutions.
Hall, professor of modern history at the University of Leeds, England, divides his history into six “epic journeys”: Lenin’s 2,000 miles to Petrograd from exile in Switzerland, Mao’s 6,000-mile “Long March” across China in 1934-35, Fidel Castro’s 1956 return to Cuba from Mexico, and three American journalists’ travels to track them down. Socialist activist John Reed (1887-1920) arrived in Russia in August 1917. He had little sympathy with the March revolution that overthrew the czar because its leaders were conventional liberals, but Bolshevik rhetoric thrilled him. Witnessing the October revolution, he not only admired Lenin but participated in his government. His 1919 account, Ten Days That Shook the World, received a great deal of attention despite its politics and remains a journalistic classic. With the Chinese civil war raging and a rebel army newly established in the distant northwest, journalist Edgar Snow (1905-1972) wangled permission to enter the area. Aware that Snow was an establishment figure, Mao and his cadre welcomed him with open arms; his flattering portrayal, Red Star Over China, released in 1937, was a worldwide bestseller and revelation at a time when almost no one knew anything about its subject. Herbert Matthews (1900-1977) was a middle-aged New York Times editor in 1957 when Castro, an obscure figure leading a purported rebellion against Cuba’s dictator, let it be known that he would welcome an interview. In an odd parallel with Snow’s experience, Matthews was conducted into a wilderness, and his articles launched the popular image of Fidel as a romantic revolutionary committed to bringing justice to his people. The reporters’ reputations suffered after their subjects took power—rebellions against unpopular governments usually get good press until they succeed.
A captivating account of three revolutionaries and the intrepid journalists who brought their stories to the world.Pub Date: Sept. 9, 2025
ISBN: 9780571367153
Page Count: 400
Publisher: Faber & Faber
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
BOOK REVIEW
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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