An entertaining and romantic story about second chances and moving forward after loss.
A grieving young woman sends texts to her dead fiance’s phone number, not realizing that someone else is receiving the messages.
Clara and her fiance, Ben, had an argument, and later that night, he died in a tragic accident. Two months later, as Clara struggles with her grief, she sends a text to Ben’s phone, knowing he won’t receive it but seeking new ways to cope. Miraculously, sending the text does help a bit, so she sends another the next day, and again the day after that. She never imagines that Ben’s number might have been reassigned to a new customer. Meanwhile, across town, Sven can’t figure out how to respond to the cryptic texts he’s been receiving. After only a few messages, it’s obvious the texts are coming from a grieving woman. Rather than alert the sender she has the wrong number, Sven, who’s dealing with struggles of his own, does nothing. Gradually, he begins to enjoy the texts, even looking forward to them and despairing on days when none arrive. His co-worker Hilke keeps pushing him to uncover the sender’s identity, and before long, Sven is persuaded, using clues from the copious texts to track Clara down. Though he’s already somewhat smitten without even knowing what she looks like, he worries that when they finally meet, she’ll hate him for having read her private messages. Told alternately from Clara's and Sven’s perspectives, the novel has been translated effectively from its original German, the only indication of the book’s origin the names of towns and rivers. Clara and Sven are each well-developed characters with complex interior lives and endearing idiosyncrasies. The story’s supporting characters feel more typecast, but they play their roles sufficiently to move the narrative forward. The story is at its strongest when Clara and Sven are interacting, with the intervening scenes hampering the book’s momentum. Similarly, after its initial setup, the plotline is rather predictable. Even so, the deeply emotional nature of Clara’s texts and Sven’s heartfelt reactions as he reads them are sufficiently absorbing that readers will keep turning pages to see how the characters reach the story’s inevitable conclusion.
An entertaining and romantic story about second chances and moving forward after loss.Pub Date: Feb. 8, 2022
ISBN: 978-0-14-313690-3
Page Count: 256
Publisher: Penguin
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Fresh and upbeat, though not without flaws.
An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.
Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.
Fresh and upbeat, though not without flaws.Pub Date: Sept. 14, 2021
ISBN: 978-0-593-33682-3
Page Count: 384
Publisher: Berkley
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
PERSPECTIVES
BOOK TO SCREEN
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