A scrumptious treat to be savored and enjoyed, just like a fine holiday dinner.
On Christmas Eve, a large apartment house on 133rd Street in the Bronx becomes the site of a multicultural neighborhood party.
Manzano, a Pura Belpré honoree and Maria on Sesame Street, teams up with Caldecott honoree Priceman for this vibrant story. The setting is the apartment of a Puerto Rican family preparing their special Christmas Eve dinner. Mami is trying to cook a huge roast, but it won’t fit in her small oven. Papi and José decide to take the roast to their friend who owns a pizzeria to see if he can help. On their way, they meet several neighbors and friends of different ages and ethnic groups; all are stressed, lonely, or worried about money. When the father and son return with the cooked roast, its delicious aroma transforms everyone who smells it, wafting them along on swirls of contented delight. They all float up the stairs to the apartment for a Christmas Eve dinner, fitting everyone into just one small apartment—a Christmas miracle. The polished text uses dramatic pacing, dialogue, emotion, and characterization to excellent effect. Priceman’s dazzling illustrations are filled with pulsating energy, glowing colors, and the radiant smiles of the neighbors who find community together. A magical, hopeful vitality permeates the art, reflected in multiple swirling elements wound through the illustrations.
A scrumptious treat to be savored and enjoyed, just like a fine holiday dinner. (Picture book. 4-9)Pub Date: Sept. 22, 2015
ISBN: 978-0-689-87887-9
Page Count: 48
Publisher: Atheneum
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
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