A nimbly told story that should serve as a caution—but oddly, too, as inspiration—to would-be escapists.
A tale of an adventure gone definitively wrong.
A maritime bookend of sorts to Jon Krakauer’s Into the Wild, British journalist Elmhirst’s narrative turns on two 1960s-era British dreamers who decided to pitch it all in and sail from grim, gray Britain around the globe to New Zealand, “discovering new lands on the other side of the world.” In the course of researching a quite different magazine piece, the author discovered the story of Maurice Bailey, a printer by trade, who took a studious approach to the voyage, learning navigation and reading and rereading reference books. His wife, Maralyn, was eminently practical—certainly more so than Maurice, who insisted on having no radio transmitter aboard to “preserve their freedom from outside interference.” That would prove a consequential decision when a whale collided with their boat and sank it—though, Elmhirst notes provocatively, there is a lingering question of whether the Baileys might have abandoned the craft prematurely. In any case, they floated, adrift and without a clue as to their location in the vast Pacific, for 117 days until finally being spotted, quite by chance, by a passing South Korean fishing boat, whose crew prove to be heroes in Elmhirst’s telling. Skeletal, having nearly starved to death, the Baileys were slowly nursed back to health. Astoundingly, Elmhirst writes, no sooner did the couple return to England than they began planning another maritime adventure. Maralyn emerges as the real hero of the story; for those fraught months at sea, having gauged Maurice’s inability to see the job through, she took command of the expedition and kept the two alive. Countering “his despair” with “her resolution,” she later recalled, “I discover that men may be physically the stronger of the sexes but mentally women are tops.”
A nimbly told story that should serve as a caution—but oddly, too, as inspiration—to would-be escapists.Pub Date: July 8, 2025
ISBN: 9780593854280
Page Count: 256
Publisher: Riverhead
Review Posted Online: April 17, 2025
Kirkus Reviews Issue: May 15, 2025
PERSPECTIVES
PERSPECTIVES
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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