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THE ONLY WAY IS BADGER

A lighthearted look at the consequences of exclusion and self-absorption.

Badger bullies—well, badgers—other animals into accepting his delusions of superiority—but finally realizes the error of his ways.

After the expressive, comical animals on the cover have hinted at the premise, a double-page spread of hand(paw)-painted posters against a bleak, gray, cement-block wall reinforces it, with slogans such as “Be More Badger.” Cheerful, colorful, flower-studded grass and animals that somewhat resemble the characters in Jon Klassen’s I Want My Hat Back accompany the ominous opening words: “Deep in the forest, something wasn’t right. Overnight, a wall had appeared. And someone had covered the trees with strange posters.” The mystified forest creatures are soon assured by boisterous, egotistical Badger that he is “telling it like it is” with his declaration that badgers are best. He insists that he is helping them by ensuring that they all exhibit badgerlike traits. Deer—previously interrupted by Badger when trying to voice an opinion—becomes the first animal banished over the wall, supposedly because he cannot dig. Badger incites jeering at Deer. With each new test, more animals leave, amid clever wordplay and humorous, absurd art. Finally, Badger is alone in a world that he has painted in his fur’s black-and-white. His final poster creates a happy ending unlikely to occur in the real world of politics. But who mentioned politics?

A lighthearted look at the consequences of exclusion and self-absorption. (Picture book. 3-6)

Pub Date: Sept. 1, 2018

ISBN: 978-1-68010-098-3

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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