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YOU WERE MADE FOR THIS WORLD

CELEBRATED INDIGENOUS VOICES SPEAK TO YOUNG PEOPLE

Like the sacred items in a medicine bundle, these entries reverberate powerfully, both individually and as a whole.

A collection of letters and art from a constellation of renowned Indigenous creators, addressed to Native youth.

Acknowledging that many Native people have “grown up at some distance from their ancestors’ stories,” editors Stephanie and Sara Sinclair (who are of Cree, Ojibwe, and German/Jewish heritage) celebrate the ways that “being Indigenous is a journey toward reclamation and continuance of language, knowledge and nationhood.” They structure their work like a “medicine bundle, with each letter representing a traditional medicine—water, tobacco, cedar, sweetgrass or sage.” Deeply personal, eloquent, and insightful entries explore topics such as ancestral pride, political advocacy, connection to land, and healing from colonial trauma. Tasha Spillett, who describes herself as “an Afro-Indigenous person with mixed European ancestry,” confides that when she was younger, she saw her identity as a “mosaic of fragmented pieces” but that she now views herself as “a complete person, formed by all those I came from.” Métis artist Christi Belcourt contributes an intricate painting of beadwork—just one example of the striking images paired with each letter, illustrating the beauty of Native traditions and expression. Young readers will gravitate toward this collection for its wide range of voices and perspectives on Indigenous identity, fortitude, and creativity.

Like the sacred items in a medicine bundle, these entries reverberate powerfully, both individually and as a whole. (contributor bios, artist note on cover art, credits) (Anthology. 8-12)

Pub Date: July 29, 2025

ISBN: 9781774882566

Page Count: 120

Publisher: Tundra Books

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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GUTS

With young readers diagnosed with anxiety in ever increasing numbers, this book offers a necessary mirror to many.

Young Raina is 9 when she throws up for the first time that she remembers, due to a stomach bug. Even a year later, when she is in fifth grade, she fears getting sick.

Raina begins having regular stomachaches that keep her home from school. She worries about sharing food with her friends and eating certain kinds of foods, afraid of getting sick or food poisoning. Raina’s mother enrolls her in therapy. At first Raina isn’t sure about seeing a therapist, but over time she develops healthy coping mechanisms to deal with her stress and anxiety. Her therapist helps her learn to ground herself and relax, and in turn she teaches her classmates for a school project. Amping up the green, wavy lines to evoke Raina’s nausea, Telgemeier brilliantly produces extremely accurate visual representations of stress and anxiety. Thought bubbles surround Raina in some panels, crowding her with anxious “what if”s, while in others her negative self-talk appears to be literally crushing her. Even as she copes with anxiety disorder and what is eventually diagnosed as mild irritable bowel syndrome, she experiences the typical stresses of school life, going from cheer to panic in the blink of an eye. Raina is white, and her classmates are diverse; one best friend is Korean American.

With young readers diagnosed with anxiety in ever increasing numbers, this book offers a necessary mirror to many. (Graphic memoir. 8-12)

Pub Date: Sept. 17, 2019

ISBN: 978-0-545-85251-7

Page Count: 224

Publisher: Graphix/Scholastic

Review Posted Online: May 11, 2019

Kirkus Reviews Issue: June 1, 2019

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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