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THE VICTORS

EISENHOWER AND HIS BOYS: THE MEN OF WORLD WAR II

Meticulously researched and characteristically well told. A compelling and heartfelt tribute to the GI.

Revisiting ground covered previously in his superb Citizen Soldiers (1997) and other works about the climactic European campaigns of 1944—45, distinguished historian Ambrose (Undaunted Courage, 1996, etc.) tells the story of the conquest of Nazism by an array of American, English, and Canadian kids led by the plain-spoken Dwight Eisenhower.

As in his earlier works, Ambrose focuses on the stories of individuals—the men who planned and led the invasion, the junior officers and non-commissioned officers, and the ordinary citizen soldiers of the Allied armies. He traces the training of ordinary boys from Chicago, Kansas, and Georgia, and the rise of their commander, Dwight Eisenhower, through a variety of staff posts. “Ike,” as he was known to absolutely everybody soon after his arrival in England in 1942, quickly became a favorite with the British press and with the often prickly English military establishment: He relied often on his considerable diplomatic skills to compel the British and American commanders to work together. However, the author faults the inefficiency of Ike’s war of attrition and his failure to ensure that his army was adequately trained and equipped for battle. Most of the narrative is devoted to the travails of the individual soldier in combat. With photographic immediacy, Ambrose shows the pitilessly savage nature of the war as he takes the reader through hellish beach landings, sanguinary battles to liberate Normandy, pursuit through France, the terrifying aspects of trench, street, and night battle, setbacks to the Allied advance, and the ferocious but ultimately unsuccessful German counter-punch through the Ardennes.

Meticulously researched and characteristically well told. A compelling and heartfelt tribute to the GI.

Pub Date: Nov. 2, 1998

ISBN: 0-684-85628-X

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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