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SPEED MACHINES

More a handsome first draft than a well-considered final product.

Developer Miles Kelly presents a decent but curiously static selection of speedy land, sea and air vehicles.

“I feel the need, the need for speed,” said Tom Cruise’s character in the movie Top Gun, speaking the sentiments of the many, from all quarters of the globe, who simply wish to go faster and faster. This work does not explore the urge, but it does have a partial handle on the ways and means. From motorcycles to trains to speedboats to helicopters and supersonic aircraft, a couple dozen particular machines are presented in cutaways and profile, which can be spun about to look at the top, bottom and sides. Brief, boxed histories and associated “Fast Facts” come in great number, and there are inquiries called “Look Closer,” which explain altimeters, pressurization, Li-ion cells, fuel pumps, droop-snoots and other features of quick craft. A number of real classics are introduced—the X-1 and X-15, the jet-powered Bluebird boat, the Concorde and the TGV—though contemporary vehicles are given short shrift. The slide shows offer balance to the text but can feel too brief, and the videos are both terrific and disappointing—who really wants to watch a Flying Fortress sitting on the runway?—especially when they are not accompanied by sound. The presentation, primarily a flip-page affair, though visually attractive, doesn’t have a sense of energy, and reader involvement is minimal.

More a handsome first draft than a well-considered final product. (Nonfiction enhanced e-book. 10 & up)

Pub Date: June 15, 2012

ISBN: N/A

Page Count: -

Publisher: Miles Kelly Publishing

Review Posted Online: Aug. 14, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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GHOST

From the Track series , Vol. 1

An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THIS BOOK IS ANTI-RACIST

20 LESSONS ON HOW TO WAKE UP, TAKE ACTION, AND DO THE WORK

Essential.

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A guidebook for taking action against racism.

The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.

Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)

Pub Date: Jan. 7, 2020

ISBN: 978-0-7112-4521-1

Page Count: 160

Publisher: Frances Lincoln

Review Posted Online: Sept. 14, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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