An uneven but enjoyable debut that should appeal to faithful thriller aficionados.
In Williams’ gritty debut thriller, the lives of drug dealers, organized criminals, political revolutionaries and marketing executives intertwine in spectacular fashion.
In the novel’s opening, the Eighth Precinct police department in the fictional city of Salento is making security preparations for a parade to honor billionaire Russian Pyotr Ptushko. Ptushko successfully smuggled American soldiers out of a dangerous region in South Central Asia, yet his motives are dubious. At the same time, several grow houses operated by ruthless marijuana magnate Otis M. Gaverill are pilfered by a mysterious team of seven men who act with stealth and military precision. Det. Sgt. Sal Mitchell and his partner Eddie “Sandman” Sandovan are the lead investigators in the fallout of the ensuing encounters between the factions. In an adrenalin-fueled subplot, Mitchell’s girlfriend, Mya Laing, a high-level marketing executive at a prestigious advertising firm, is tasked with creating a brilliant yet inexpensive word-of-mouth campaign for a designer jean label. Mya and her team develop an intricate alternate-reality game to garner attention for the brand—a tactic that’s at the forefront of contemporary advertising strategy. This subplot provides entertaining respite from the graphic violence and language in the main storyline, yet readers may wish the two narratives intersect earlier and more completely than they do. Williams also offsets his explicit depictions with well-placed humor that only occasionally leans toward the prosaic. While this may distract some readers, the overall effect, especially in combination with the bright, lively dialogue, is refreshing. There is a well-articulated juxtaposition between the honor and restraint of the military team and the repulsive bloodlust of Otis’ group. Williams’ main characters are engaging, but, with the exception of Otis, they fail to reveal flaws or make mistakes, an omission that challenges believability. Williams leaves unanswered questions and more than hints at a sequel (a sample chapter of his next book is included). Devotees of the genre may conclude that he has provided enough to entice them back into his vivid universe.
An uneven but enjoyable debut that should appeal to faithful thriller aficionados.Pub Date: July 29, 2011
ISBN: 978-1461044840
Page Count: 458
Publisher: CreateSpace
Review Posted Online: Sept. 20, 2011
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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