Stone’s most memorable reflection: “He had been too long without a woman.” Yeah, right.
New York attorney Stone Barrington fights to protect a sizable estate from a predatory claimant determined to grab it from whomever stands in his way.
When Stone’s secretary, Joan Robertson, introduces him to her aunt, Annetta Charles, whose attorney at Stone’s firm, Woodman & Weld, has just died, Stone thinks her request to revise her will is routine. And so it is, on paper. Annetta, who rose from a shady background to marry into her late husband’s serious money, wants to continue paying $100,000 a month into the trust fund of her stepson, Edwin Charles Jr., but to cut him off without a cent at her death—because she wants to discourage him from killing her for the nest egg. Eddie, a Yale Law graduate who’s never worked a day in his life, reacts to the news that his do-nothing lifestyle depends on his leaving his stepmother alone with predictable outrage and a series of pleasingly unpredictable countermeasures. He bursts into Stone’s home office in Turtle Bay; accosts him at dinner with his former partner, NYPD Commissioner Dino Bacchetti; and tells everyone who’ll listen that he’s Stone’s client. The lie becomes especially fraught when Annetta is shot to death and Eddie’s arrested for her murder. Apart from Stone’s forgettable flings with two women involved in very different ways with Eddie’s threats, Woods keeps his eye on the ball throughout, and though the suspense never exactly intensifies—Woods doesn’t do rising suspense—Stone’s pesky antagonist is so well matched with both his hero and the requirements of his plot that fans’ interest will never flag. As a bonus, Stone’s self-effacing secretary is rewarded with a leading role and other emoluments.
Stone’s most memorable reflection: “He had been too long without a woman.” Yeah, right.Pub Date: Aug. 2, 2022
ISBN: 978-0-593-54000-8
Page Count: 304
Publisher: Putnam
Review Posted Online: Aug. 10, 2022
Kirkus Reviews Issue: Sept. 1, 2022
High art meets low life in a tale a lot more sympathetic to the latter.
Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.
In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.
High art meets low life in a tale a lot more sympathetic to the latter.Pub Date: Sept. 2, 2025
ISBN: 9781250370822
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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