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CHICKS ROCK!

A quick boost of confidence from a flock of friends.

A cool cat, er, chick suffers from stage fright.

Rocker Chick has all the gear: star-shaped glasses, a pink skull-and-crossbones sweater, and an edgy, purple guitar. She thrashes around her bedroom, wailing blistering solos and belting out ballads. But her audience has only ever been her stuffed animals. When given the opportunity to star at a “big wing-ding,” she can’t wait. However, as she climbs the tall, hay-bale stage during rehearsal and is thrust into the spotlight, she freezes. Luckily her chick pals use their own individual strengths to help. Zen Chick leads some calming breaths, Artsy Chick (who is wearing a head covering) does makeup, and Coding Chick controls the lights. The whole clutch pitches in to show Rocker Chick she is not going through this alone. True to its musical core, Bardhan-Quallen’s text has a lively spring, which is snappy to read aloud and helps to soften the platitude: “Rocker Chick says, ‘Thank you all— / you helped me reach my dream.’ / Her friends reply, ‘That’s why we’re here.’ ‘We’re always on your team!’ ” Kurilla’s bean-shaped chicks are as cute and thoughtfully developed as in the story’s predecessor, Chicks Rule!(2019). Sly barnyard wordplay is also included, “poultry in slow motion” being a highlight.(This book was reviewed digitally with 10.5-by-17-inch double-page spreads viewed at 47.8% of actual size.)

A quick boost of confidence from a flock of friends. (Picture book. 3-6)

Pub Date: March 2, 2021

ISBN: 978-1-4197-4570-6

Page Count: 40

Publisher: Abrams

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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