A heartfelt celebration of cultural heritage.
Kaveri Thanjavur Jayalakshmi Ganesan isn’t fond of her long name and prefers to go by Kav.
The young protagonist learns about the origins of her names while she, her parents, and her grandmother, whom she calls Paati, journey to celebrate Kaveri Pushkaram, a festival that honors the Kaveri River. Before they leave Paati’s home, the child notices green riverbanks and lush waterfalls. Paati tells her she was named for the river—and for her great-great-grandmother. Next, they buy train tickets for Thanjavur, their ancestral home in Tamil Nadu, India, and one of Kaveri’s namesakes. Paati reminds the child how on their last visit, she got her some bommai, or clay dolls. Kaveri’s mother notes that the child shares both her parents’ names. Both mother and daughter are named Jayalakshmi, after the goddess who protects the river. Finally, the name Ganesan comes from her father’s name, Ganesha. At the journey’s end, where the river meets the ocean, Kaveri finally realizes that her name embodies her birthplace and her heritage. Though earlier, Kaveri mentions that some people “trip over my name,” long names aren’t uncommon in India, suggesting that the child lives elsewhere. While Kaveri’s pride is evident by book’s end, readers don’t get much insight into her emotional state or thoughts; at times, the story feels like a list of cultural touchstones. Still, the artwork is vivid, with striking use of color and depictions of clothing, jewelry, foods, rituals, and distinctive temple architecture.
A heartfelt celebration of cultural heritage. (glossary, author’s note, getting names right, about the Kaveri River, map of South India, poems and sayings about the river) (Picture book. 4-8)Pub Date: May 28, 2024
ISBN: 9780593522936
Page Count: 48
Publisher: Penguin Workshop
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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