by Susan Blackaby ‧ RELEASE DATE: Nov. 12, 2019
Informative and thrilling, it’s like a Rocky movie for kids.
This detailed profile of Simone Biles argues that she is the greatest gymnast of all time.
What are the criteria for being the “greatest of all time” in a field? This book posits an answer to that question and makes a compelling argument for Simone Biles as the G.O.A.T. of women’s gymnastics. To be an elite athlete takes a level of focus, training, dedication, and talent that most people don’t have. To become the G.O.A.T. requires another level of all of these, and Blackaby details not only the mental toughness and flexibility that get the African American gymnast through her hours of training, occasional setbacks, and nerve-wracking competitions, but the tools needed to attain those mental skills. These include a sports psychologist, the right coach, tough decisions about other areas of her life, and supportive family who invested in her success. A brief chapter on Biles’ home life and family is followed by more detail about her years of training and competitions. The focus on how she kept moving toward her goal sustains readers’ interest to the last page. Easy-to-read type with large, pink subheadings and full-color photographs sprinkled through the pages make this small volume read like a magazine. It’s a pleasingly, uniquely humanizing lens on the price of success for one young athlete of international renown. A lengthy bibliography provides plenty of references.
Informative and thrilling, it’s like a Rocky movie for kids. (glossary, index) (Biography. 8-14)Pub Date: Nov. 12, 2019
ISBN: 978-1-4549-3206-2
Page Count: 128
Publisher: Sterling
Review Posted Online: Oct. 12, 2019
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by Alyssa Bermudez ; illustrated by Alyssa Bermudez ‧ RELEASE DATE: Aug. 17, 2021
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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by Jacqueline Woodson ‧ RELEASE DATE: Aug. 28, 2014
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.
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A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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