by Susan Cheever ‧ RELEASE DATE: Feb. 1, 2004
Takes the measure of Wilson’s achievement, but not his mesmeric personality. (b&w illustrations, not seen)
An earnest but flawed biography of the man Aldous Huxley described as “the greatest social architect of the twentieth century.”
A vast Alcoholics Anonymous archive, including hundreds of letters, helps novelist and memoirist Cheever (As Good As I Could Be, 2001, etc.) plumb the lifelong drive, intelligence, and self-doubt of AA cofounder Bill Wilson (1895–1971). Growing up in rural Vermont, Wilson witnessed principles of service and egalitarianism in action that he later embodied in AA’s famous “Twelve Traditions.” But he also felt unmoored when his parents divorced and his mother left him in the care of her father as she pursued a medical degree. Marriage to an educated older socialite fed his insecurity, eased only when he took his first drink while serving in WWI. Over the next 18 years, his growing addiction resulted in countless jobs lost or never pursued. Cheever is at her best in detailing the creation of AA, in 1935, by Dr. Bob Smith and Wilson, who recognized that alcoholism was a disease that could only be countered by a “Power greater than ourselves.” The synthesis of ideas drawn from medicine, psychology, and moral reformers such as the Oxford Group and the Washington Temperance Movement provided a flexibility that enabled AA to grow to 30,000 members by 1946. Cheever acknowledges that Wilson was “not the stuff of saints,” particularly after turning over AA to elected representatives in 1956. (He used his newfound freedom to experiment with LSD, Oujia boards, and extramarital relationships.) Her own experiences as a recovering alcoholic (see Note Found in a Bottle, 1999) deepen the author’s insight into AA’s philosophy and Wilson’s struggles, and she writes lyrically about the environments in which her subject sometimes took refuge from his fame. But Cheever settles too often for clichés (“We are the most puritanical country on earth, and the most profligate”), and although she tells readers about Wilson’s charisma, she does not make us feel it.
Takes the measure of Wilson’s achievement, but not his mesmeric personality. (b&w illustrations, not seen)Pub Date: Feb. 1, 2004
ISBN: 0-7432-0154-X
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2003
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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