A brutally honest account of the author’s ovarian cancer treatment and a staunch protest against the state of contemporary approaches to the disease.
In telling her personal story, feminist scholar Gubar (Judas: A Biography, 2009, etc.) remains the academic, looking for understanding not just in the medical literature but also in Frida Kahlo's art, Margaret Edson's drama Wit, Barbara Creaturo's memoir Courage and other women's writings, both formal and informal. When the author learned that most ovarian cancers cannot be cured because the disease is rarely diagnosed before it has reached a deadly stage, she made it her goal to help women recognize its early warning signs. A brief, somewhat dry chapter on ovaries and how they have been regarded throughout history precedes her personal account. For her, the treatment began with debulking—a drastic surgical procedure that she calls disemboweling—followed by rounds of debilitating chemotherapy. The surgery launched a cascade of intestinal disasters, including perforation, abscesses, loss of bowel control and an ileostomy. Gubar's description of these indignities is disturbing and graphic. She blames them not on doctor errors but on "the ruthless instruments, technologies, and formulas of the medical machine.” Doctors, she writes, have no alternatives to the standard treatments now available to ovarian cancer patients. In her case, remission followed, but so did recurrence, and she was faced with the decision of whether to undergo further surgery and chemotherapy that could retard but not halt the spread of cancer or to stop treatment and allow the cancer cells to take over her body. Gubar lets the reader inside her mind as she grapples with this issue. Not just a grueling memoir of facing a deadly disease but a powerful exposé of the failure of medical science to find better ways to detect and treat it.
Pub Date: April 9, 2012
ISBN: 978-0-393-07325-6
Page Count: 288
Publisher: Norton
Review Posted Online: Jan. 31, 2012
Kirkus Reviews Issue: Feb. 15, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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